11/30/2022 0 Comments Marie antoinette music tutor african![]() “The Chevalier” had been on the books for the 2022 season long before she joined staff, but she had previously served as associate producer on the concert version of “The Chevalier,” and thinks she’s seen nearly every staging since its inception. Saturday’s performance is of special note to Kimberly Schuette, who started in her role of managing director of the CSO in January 2022. “It’s slow moving work, but it’s important work,” he said. Concert Theatre Works’ touring production of “The Chevalier” benefits the Sphinx National Alliance for Audition Support - work that Barclay hopes will eventually create equity in the classical music world and “make orchestras look like the audience they deserve.” We’re contextualizing his music, contextualizing his character and attempting to demonstrate the kind of work that can be done in order to make up for lost time.”Īmong the musicians performing with the CSO Saturday are some of the 2022 CSO Diversity Fellows - nine of whom came to Chautauqua via the Sphinx Organization, a nonprofit dedicated to diversity in the arts, and with whom the Institution has frequently partnered in recent years. #Marie antoinette music tutor african full“The Chevalier” is “an attempt to give Bologne a more full examination. Not much of Bologne’s music is played by modern orchestras his Violin Concerto in A Major Op.7 No.1 is most common, Barclay said. It’s an 80-minute show, and will be followed by a talkback session in the Amp. Saturday’s performance is the concert version of the work, centering its dramatic and comedic scenes of Marie Antoinette, Mozart and Bologne against the backdrop of the French Revolution. It’s a Broadway juggernaut, he said, and is continuing to be workshopped. Saturday in the Amphitheater with the Chautauqua Symphony Orchestra.īarclay wrote a full-length play of Bologne’s story, all the way through the French Revolution - 18 actors, 16 musicians, on a sweeping scale akin to Les Miserables. The concert version of “The Chevalier: Joseph Bologne, Chevalier de Saint-Georges” makes its Chautauqua debut 8:15 p.m. “The Chevalier” was commissioned by the Boston Symphony Orchestra in 2018, with a debut the following year at Tanglewood Learning Institute, and in 2021 was awarded a National Endowment for the Arts Grant. Ian Unterman plays Mozart, Merritt Janson plays Marie Antoinette, RJ Foster plays Bologne, and Brendon Elliott is the solo violinist - and they’re joined by the Chautauqua Symphony Orchestra under the baton of Maestro Rossen Milanov. Saturday, July 16, in the Amphitheater, with a small group of actors. The work is a play with music, or a concert with actors, depending on how one looks at it, said Barclay, artistic director of Concert Theatre Works, former director of music at Shakespeare’s Globe, a director, composer, writer and producer - and the creative force behind “The Chevalier,” which will have its Chautauqua debut at 8:15 p.m. It’s a frustrating, ongoing process, but now Bologne’s compositions are the score for a piece of concept theater titled “The Chevalier: Joseph Bologne, Chevalier de Saint-Georges.” And when Bill Barclay went searching for Bologne’s compositions, he had to dig deep into archives across the world to find them. His story is one for the history books that have largely ignored his legacy. He was a private tutor to Marie Antoinette, a violinist, conductor, fencer, war veteran and abolitionist - and, as the son of a wealthy French planter and an enslaved African woman, the first-known classical composer of African ancestry. ![]() ![]() Joseph Bologne, the Chevalier de Saint-Georges, was a composer who counted Mozart, Salieri and Haydn as contemporaries. ![]()
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